Current Crosstown Expressway has safety issue history

This piece was part of a double truck piece in The Oklahoman Sunday edition, June 26, 2011. To see the PDF of this piece, with accompanying photographs and timeline, click here. View the other page here.

By: Brandon Goodwin

A bridge is not something motorists want to see through.

Yet that is a regular occurrence on the Interstate 40 Crosstown Expressway, a two-mile elevated highway through Oklahoma City that frequently drops coffee table-sized chunks of concrete from its deck, exposing naked rebar and the ground below.

Emergency crews rush to the bridge to repair these holes about 20 times a year, creating a quilt of patches designed to keep the bridge usable until it is replaced with a new section of highway next summer.

For years, motorists have raised concerns about the integrity of the expressway.

Oklahoma Transportation Department officials said the bridge has regular inspections and is safe.

“If there was any indication that the condition of the bridge was dangerous, we would not have traffic on the bridge,” Division Engineer Paul Green said.

But concerns about the bridge goo deeper than its surface.

The structure’s support beams are known as “fracture critical,” an outdated design technique that means if one support beam fails, the entire bridge section could collapse.

The I-35W bridge that collapsed in Minneapolis, Minn., in 2007, killing 13 people, was a fracture critical structure.

Field Construction Engineer Anthony Echelle said the Crosstown Expressway bridge has 300 fracture critical points.

It was built to modern design standards when it opened in 1966, but this type of structural design was thrown out in the 1970s in favor of designs that offer secondary support beams.

The last incident concerning a fracture critical point on the Crosstown was in 1989.

Inspectors found the spot before it failed and closed the bridge until it was repaired.

Regular inspections also report corrosion and rusted beams.

Officials said issues concerning the safety of the bridge are addressed.

Other issues are deferred since the bridge’s days are numbered.

“We are doing everything to see that is is safe,” said Terri Angier, spokeswoman for the Oklahoman Transportation Department. “But not past the point of wasting taxpayer dollars.”

The structure will be replaced by a new section of Interstate 40 next summer that will be five blocks south of the current expressway.

The state spends more than $1 million a year on preventative maintenence of the roadway, Echelle said.

Costs of spot maintenance are cheaper than projected costs to redeck the bridge. Additionally, the major impact to traffic to overhaul a bridge that will close in a year is not necessary, Echelle said.

Some of the degradation of the bridge comes from high amounts of traffic. Currently, the bridge carries about 120,000 vehicles a day, 50,000 more than it was designed for.

The bridge also lacks shoulders, and offers little merging room.

“If you have a flat tire, there is little room to pull over and have car trouble,” Echelle said.

“Thats just another reason why we are eager to get traffic off that old bridge,” he said.


I-40 work is on fast track to completion

This piece was part of a double truck piece in The Oklahoman Sunday edition, June 26, 2011. To see the PDF of this piece, with accompanying photographs and timeline, click here. View the other page here.

By: Brandon Goodwin

Construction crews pour concrete over exposed rebar on top of the Walker Street bridge in Oklahoma City. The bridge overlooks an expansive 10-lane interstate construction project, busy with traffic from dump trucks and earthmovers.

The new, four-mile Crosstown Expressway, the most expensive road project in state history, is projected to open next summer, a few months ahead of schedule.

“We’re coming to the last leg of the race,” state Transportation Department Division Engineer Paul Green said.

Crews working on the $670 million project have completed 19 of the 23 individual jobs that make up the new expressway. Three remaining portions still are under construction, and the final piece will be put out for bid in July.

The east and west ends of the main corridor are finished. The middle part of the corridor is paved except for one section. Medians are still being constructed. Walls enclosing the north side of the highway still lack graffiti-proof paint. On-and-off ramps are under construction, officials said.

But opening the new interstate in 2012 will not bring an end to construction for I-40 drivers. “That’s just the day we get them off the old bridge,” said Green.

Traffic will be set in temporary configurations while work is done on the I-40 and I-44 junction on the west side as well as Interstate 35, I-40 and I-235 junctions on the east side of the corridor.

Immediately after the opening of the new Crosstown Expressway, deconstruction of the old elevated roadway will begin.

The new interstate is five blocks south of the current Crosstown Expressway.

The current expressway is a dilapidated version of its former self. Built back in 1966, the two-mile stretch of bridge was the first of its kind in Oklahoma.

Builders speculated the expressway would last 50 years. Construction cost $12.6 million, a small fraction of the price of its successor 45 years later.

In the past decade, repair crews regularly obstruct traffic to patch sections of roadway, which break off and fall to the ground below.

The bridge has raised safety concerns, though Transportation Department officials reassure drivers that the current bridge is safe.

Construction on the new expressway started in late 2005. Federal funding problems delayed parts of construction in 2008. Issues with relocating part of the Oklahoma City railway line delayed work in 2009.

Completion of the 7-year project will unleash another wave of construction barrels and heavy machinery into downtown.

The old Crosstown will be replaced with a six-lane boulevard that is part of MAPS 3, a plan to breathe life into the area south of downtown.

Project Rodeo USA is now in swing

Every photographer has to have a long-tern project.

Thats what my photojournalism teacher tells me anyway. I agree.

This summer, I’ve chosen to document smalltown rodeos around rural Oklahoma. I’ve already begun the project, and can’t wait to do more.

During my orientation with the Oklahoman, where I’m interning this summer, many of the speakers told us to have long-term projects to work on, because its in-depth storytelling that makes news organizations valuable. The surface can be scratched by anyone; bloggers, facebookers, tweeters. Day-to-day storytelling happens by everyone online. But journalists have the resources to go beyond that, and expand on issues and themes important to its audience.

I need this storytelling practice because I haven’t worked on many in depth stories before. A broad topic like rodeos will need a focus, and if I can hone-in on one, and make some great images, I’ll certainly be getting somewhere.

I’m not sure what my focus is yet, but when I do, I’ll post and let you know.

For the time being, enjoy this halfway-terrible rodeo video, with Garth Brooks’ famous rodeo song.

Origin Chronicles: Keeping Promises

The relationships you build with your subjects is at the fulcrum of your success or failure as a storyteller. Teeter the wrong way, and you’ll smack the ground.

I haven’t busted my bottom yet, but I there have been some close calls.

To date, I’ve forgotten to do two simple tasks that might have strained relationships with my subjects; going to an event, and sending a photo.

Of course, it occurred at Picture Kentucky. One of my subjects was a do-it-all man. Literally. He was the county magistrate, taxidermist, funeral director, grave digger and craftsman. My job was to document him in all his roles.

After spending several hours with him, he invited me to come back to an annual festival at his hometown (The Wooly -Worm festival). I quickly accepted. When a few months went by and time came for the event, I was just too bogged down to go.

I had planned to return with some friends and spend the day, but college life and newsrooms don’t allow much free time.

But there are no excuses for breaking promises.

It may not seem like a big deal, but I know Mr. Begle would remember. That’s all it takes. The relationship I built with him and the access I had been granted into his life and community might be severed or compromised for future work on that project.

Keeping promises is at the heart of journalism and our ethics. The Society for Professional Journalists even lists it in their code of ethics. (Fourth bullet, third sentence.)

Think of what could happen if you were a beat reporter, and you didn’t keep a promise to a vital source of information. Your entire job and career in that beat could be compromised.

As journalists, all we have is our name and integrity. Our reputation allows us to perform our job and let the people trust us as a source of accurate and timely information. Don’t go teetering the wrong way.